This stallion posed for me for more than 20 minutes, giving me plenty of time to compose a great shot with the unmistakable Giant Saguaros in the background.
The Salt River Wild Horses are one of my favorite photography subjects. A few hours of "wild horse therapy" and I'm ready to tackle another week's work! I like to photograph them as a "horse-scape", where the horses are shown in their environment.
This stallion was named "Little Bob" by the locals. He's a powerful and healthy horse. He posed for me, allowing me plenty of time to line up a great shot with Giant Saguaros in the background. What he as actually doing was keeping a close eye on me to protect his family. He looks very close, but I use a long lens and never get closer than 50 feet from the horses.
My preferred medium for wild horse photographs is metal, with canvas a close second. If you prefer a rustic look, I recommend pearl fine art paper with a mat and wood grain frame. These photographs make wonderful gifts!
Little Bob was not posing. That's the thing worth knowing about this photograph.
The band stallion is in charge, and anyone who has watched one for an afternoon can see it. He calls the band together. He decides when they move and sends them across the river or the road ahead of him, then follows behind the last horse so that nothing is left unwatched. Leading from the back is still leading. When one stands still and faces you for twenty minutes, he is not being photogenic. He is assessing you, and he has positioned himself so that you have to get past him.
Knowing that changes how the picture reads. The stillness isn't calm, it's evaluation. The ears, the angle of the head, the squared-up stance: all of it is a stallion deciding whether the thing with the tripod represents a problem, while his mares graze somewhere behind him, out of frame and deliberately so.
Which is also the argument for the long lens. Fifty feet is not a legal requirement, it's a working minimum that keeps the animal's behaviour honest. Get closer and you stop photographing a wild horse and start photographing a wild horse reacting to you.
On printing this one: this is a portrait that needs room around it. The composition already has air on both sides, and cropping in to make the horse bigger would throw away the thing the frame is about. That he's standing between you and something you can't see. Hang it with space around it and don't let it fight a busy wall.
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This means you can use the camera on your phone or tablet and superimpose any piece of art onto a wall inside of your home or business.
To use this feature, Just look for the "Live Preview AR" button when viewing any piece of art on this website!
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